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Our story

Frederick Arthur Bridgman

American painter, 1847–1928. Engraver, traveller, colourist, and the name behind our house.

Albumen photograph of Frederick Arthur Bridgman in his Paris studio, about 1885, by Edmond Bénard
The painter

From Alabama to Paris

Frederick Arthur Bridgman was born on 10 November 1847 in Tuskegee, Alabama. After his father died in 1850, his mother moved the family to New York. As a young man he worked as an engraver and draughtsman for the American Bank Note Company, studying art in his spare hours at the Brooklyn Art Association and the National Academy of Design.

In 1866, backed by a group of Brooklyn businessmen, he sailed for France. That autumn he entered the Paris studio of Jean-Léon Gérôme at the École des Beaux-Arts, alongside fellow Americans including Thomas Eakins, and spent his summers painting with the American artists at Pont-Aven in Brittany.

Frederick Arthur Bridgman, A Provincial Circus, about 1869–70, a circus ring with an acrobat on horseback
A Provincial Circus (Un cirque en province), c. 1869–70. Shown at the Paris Salon of 1870. Public domain, via Wikimedia Commons.
Frederick Arthur Bridgman, Study of a Young Girl, Pont Aven, 1869, oval portrait of a girl twisting a strand of hair
Study of a Young Girl, Pont Aven, 1869. Smithsonian American Art Museum. Public domain, via Wikimedia Commons.
The traveller

Light, colour and arches

Between 1872 and 1874 Bridgman travelled through Morocco, Algeria, Tunisia and Egypt. In Cairo he sketched the city’s monuments and street life, then sailed up the Nile as far as Abu Simbel, filling some three hundred sketches that fed his paintings for years. He collected costumes, architectural pieces and objects, and his Paris studio became famous for them.

His Funeral of a Mummy on the Nile was shown at the Paris Salon of 1877 and earned him the Cross of the Legion of Honour; it now hangs in the Speed Art Museum in Louisville. He was elected a full member of the National Academy of Design in 1881. Later he wintered in Algiers and wrote and illustrated a book, Winters in Algeria. He was also a musician and composer. He died in Rouen, France, on 13 January 1928.

Frederick Arthur Bridgman, Towing on the Nile, 1875: men hauling a boat along the bank of the Nile
Towing on the Nile, 1875. Public domain, via Wikimedia Commons.
Frederick Arthur Bridgman, Women Drawing Water from the Nile: women filling water jars at the river
Women Drawing Water from the Nile. Public domain, via Wikimedia Commons.
Frederick Arthur Bridgman, Funeral of a Mummy on the Nile, 1877: a funeral barge carrying a mummy across the Nile, with mourners on the bank
Funeral of a Mummy on the Nile, 1877. Shown at the Paris Salon of 1877. Speed Art Museum, Louisville. Public domain, via Wikimedia Commons.
Frederick Arthur Bridgman, Cleopatra on the Terraces of Philae, 1896: Cleopatra and her attendants on a terrace above the Nile at sunset
Cleopatra on the Terraces of Philae, 1896. Public domain, via Wikimedia Commons.
Frederick Arthur Bridgman, Cafe at Biskra, Algeria, 1884: figures in a shaded cafe, with sunlight through an arched doorway
Cafe at Biskra, Algeria, 1884. Oil on canvas. Smithsonian American Art Museum. Public domain, via Wikimedia Commons.
  1. 1847Born in Tuskegee, Alabama.
  2. 1864–66Engraver at the American Bank Note Company; studies in Brooklyn and at the National Academy of Design.
  3. 1866Moves to Paris and enters the studio of Jean-Léon Gérôme.
  4. 1870Shows A Provincial Circus at the Paris Salon.
  5. 1872–74Travels through North Africa and up the Nile.
  6. 1877Funeral of a Mummy on the Nile at the Salon; Legion of Honour.
  7. 1881Elected a National Academician.
  8. 1928Dies in Rouen, France.
Why Bridgman

Why we chose his name

We are not connected to the Bridgman family and claim no endorsement. We chose the name because his story holds the things we care about most.

The engraver’s hand

He began as an engraver of fine banknote work, where every line had to be exact. We want that same precision in a seam, a buttonhole and a label.

The traveller

An American who made his life in Paris and his name in North Africa. Bridgman is made for men who move between cities and still want to look settled.

Colour, used with restraint

He was known for light and rich colour. Our palette keeps that warmth in quiet tones: midnight navy, camel, ivory, a touch of burgundy and gold.

The arch in the B

The arched top of our B echoes the doorways and arcades he painted, and the knot in its lower loop is the thread that ties the cloth together.

Painting images are in the public domain and reproduced from Wikimedia Commons. Facts are drawn from museum and reference sources.